Referencing the past to talk of the future: The collections of John Soane and Adrián Villar Rojas
Collections
When I was a child I saw many collections in large houses that I visited with my mother: glass fronted cabinets, glass topped cases filled with objects d’art, even groups of curios laid out on tabletops. These collections were a remnant of the British colonial past and the conquerors’ preoccupation with the cultures they subdued. Since then I have had a fascination with collections of objects, both as a collector and an artist. I share this passion for collecting with many contemporary artists, for instance Rosemarie Trockel,[1] Leonardo Drew [2] and Mark Dion’s Tate Dig.
By reflecting on collections put together by two very different men in different times, circumstances and societies, I intend to show that both colonial collectors and contemporary artists using collections of objects are referencing the past to speak about the future.
To this end, I will compare and contrast Adrián Villar Rojas’ ‘Today we Reboot the Planet’ installation at the Serpentine Sackler gallery (2013) and the Sir John Soane’s Museum London, (1823) namely the collections housed in the Monument Court and Monk’s Yard spaces.